Saturday, December 24, 2011
Tuesday, December 13, 2011
Thursday, November 24, 2011
Monday, October 17, 2011
OWL FRAKTUR WATERCOLOR
THIS IS AN ORIGINAL WATERCOLOR FRAKTUR PAINTING
DONE ON THE INSIDE OF A BOOK COVER.
The size is a approximately 9 inches by 12 inches.
SOLD
FREE SHIPPING if ordered before NOVEMBER 1st.
Just contact me at my email address. kenscottart@att.net to purchase.
The left edge of the painting is cropped off in this photo.
PURPLE BIRD FRAKTUR
ORIGINAL WATERCOLOR FRAKTUR PAINTING
This fraktur is hand drawn in ink and then water colored on antique paper, over a hundred years old.
Mounted on black.
The size is a approximately 8 inches by 10 inches.
The size is a approximately 8 inches by 10 inches.
SOLD
Unframed.
Just contact me at my email address. kenscottart@att.net to purchase.
PENNSYLVANIA GERMAN DESIGN ELEMENTS WORKSHOP
Just completed the
PENNSYLVANIA GERMAN DESIGN ELEMENTS
workshop at Conner Prairie.
This workshop covers the use of design elements that were in use during the 18th & 19th century ( 1730 to 1840). During the the workshop I discuss the common flower and bird motifs as well as mermaids, angels, fylfots, hex signs along with the artists and school teachers who practiced the craft that has become known as fraktur. Under my guidance, participants have ample time to practice this form of calligraphy and to develop their own fraktur drawings.This fraktur was completed as a sample for the workshop
Close-up of sample
Saturday, September 24, 2011
ARTIST IN RESIDENCE AT T.C. STEEL STATE HISTORIC SITE
It certainly was an interesting experience to be
Artist in Residence at such an historic place.
T. C. Steele is the father of Hoosier impressionism.
His home is a lovely place. The gardens, although not in full bloom this time of the year,
are wonderful to experience.
Virginia's favorite place was the lilly pond and its beautiful water lillys.
During the time of the Residency, I held two workshops on
"How to Develop your Own Personal Journal sketchbook."

Among the historical journalists the participants reviewed were
Lewis & Clark, John Muir and John James Audubon.
We also looked at the journals of Nature journalists, Ernest Thomspn Seton,
Cathy Johnson and Virginia Scott as well as Peter Beard.
Two participants showing off their journals.
Another happy group of journal workshop participants.
Me instructing how to do a title page.
Here are a couple of nature drawings that I did during my stay.

Friday, June 17, 2011
I have been named one of the top traditional craftsmen in America
Early American Life magazine selected me
as one of the top 200 Traditional craftsmen
HERE IS A NEWS RELEASE
ON MY BEING NAMED A TOP CRAFTSMAN
Ken Scott selected as one of the top
200 traditional craftsmen in America
by Early American Life Magazine.
Judges expert in museum-quality antiques
and fine, high-end reproductions recognize
and fine, high-end reproductions recognize
Scott’s art and craft to be some of the finest available.
Scott’s work was named in two categories,
Leather and Painted, Framed art.
Leather and Painted, Framed art.
The Directory of Traditional American Crafts is an honor bestowed on a handful of artisans who work in traditional media, styles, and crafts. This is the second time that he has been named one of the Top 200 Traditional Craftsmen in America by the magazine. The directory is also a buying guide, presenting a selection of the best historically informed handwork in America. His work can be seen in the August, 2011, issue.
An artist who has been selected for the Directory has had his or her work thoroughly evaluated by a panel of experts. Scott’s craft was selected from among hundreds of entries nationwide. His leather hunting pouches and American frontier fraktur paintings were rated for their quality workmanship, fidelity to period design and construction techniques by judges expert in museum-quality antiques and fine, high-end reproductions. Because Directory artists so accurately replicate the styles and techniques of historic work, they might be mistaken for antiques. To assure this high-quality work is appreciated for the true quality of its modern craftsmanship, the Directory requires all work to be hallmarked.
Scott’s work is well recognized and is owned by collectors and historical reenactors around the world. He made the shooting bag for Billie Bob Thornton (Davey Crockett) for the movie, The Alamo, as well as provided some other props that were used in the movie. Scott’s work has also been featured in videos, tv documentaries and numerous times in magazines and on their covers—Muzzle Blasts, Muzzleloader, as well as in the Dixie Gunworks Black Powder Annual and The Book of Buckskinning.
Scott’s work can be seen on his website as well as his blogs.
Website: www.kenscottpouches.com
Blog: www.kenscottpouches.blogspot.com
Blog: www.americanfrontierart.blogspot.com
Also search:
Google/Images for Ken Scott Pouches
Google/Images for Ken Scott Fraktur
Scott can be reached by email at: kenscottart@att.net
Monday, June 13, 2011
Monday, June 6, 2011
Tuesday, May 31, 2011
Friday, May 20, 2011
Shootin' Crowes
LIMITED EDITION FOLK ART PRINT.
SHOOTIN’ CROWES.
This painting shows a colonial landowner and his plight of keeping the crows from destroying his crops. He knows that if his crops are destroyed, he may go hungry this winter. He has caught the crows nesting in a nearby woods and is taking his toll on the predators. I hand tint each of these prints with water color, thereby creating an original work of art. Limited to 50 signed and numbered prints. Size approximately 8.5" x 11". A certificate of authenticity accompanies each limited edition print and is a valuable document that can enhance the credibility and value of your print.
Hand colored and unframed $100.
Note:Please include $10 for shipping, handling and insurance.
Wednesday, May 11, 2011
Friday, May 6, 2011
INDIANAPOLIS ZOO NATURALLY INSPIRED PAINT OUT
Each spring, the Indianapolis Zoo selects a group of artists to paint “en plein air” (outdoors) interpreting their vision of the Zoo and Gardens. This year, I was fortunate to be one of the artists chosen. All of the artwork will be on display in the Schaefer Rotunda at White River Gardens for the summer, June 1-August 24.
THE TALLEST OF BEASTS
On August 25, you are invited to attend a silent auction and artist’s reception at the White River Gardens. Reservations for the auction are required. Please call (317) 630-2046 to save your spot at this event where you can meet the artists, enjoy light refreshments and bid on some fabulous artwork! All proceeds benefit the Indianapolis Zoo. My apologies for my camera work. These are slightly out of focus.
Most of my work is painted on old book covers that have been up cycled and repurposed to become a painting surface that will continue to help us achieve a green planet. The actual paintings themselves are conceived from a historic view of the way that we see things. Each of my paintings resonates with an historical perspective upon its completion, a look and patina of having been loved and handed down from generation to generation, hinting at ownership by a long forgotten person. I’ve always been drawn to things that have a history and a story behind them, things that show signs of wear or age. My goal as an artist is to create every item with an historical past with an aged look and feel to it.
THE ARTIST AT WORK
Most of my work is painted on old book covers that have been up cycled and repurposed to become a painting surface that will continue to help us achieve a green planet. The actual paintings themselves are conceived from a historic view of the way that we see things. Each of my paintings resonates with an historical perspective upon its completion, a look and patina of having been loved and handed down from generation to generation, hinting at ownership by a long forgotten person. I’ve always been drawn to things that have a history and a story behind them, things that show signs of wear or age. My goal as an artist is to create every item with an historical past with an aged look and feel to it.
THE ARTIST AT WORK
THE TALLEST OF BEASTS
FLOWERS & BIRDS
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